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Baroque
Frescobaldi: Toccata avanti la Messa della Domenica (1635)
SpaceGuru5
1:18 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 0 5 12 100%
Bass 19 0 5 10 100%
Bass 10 1 2 8 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 0 5 12 100%
Bass 19 0 5 10 100%
Bass 10 1 2 8 88%
 
HWV61A1N8 - Oh memory, still bitter to my soul!
edward.maurath
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
VCL- Bass 9 0 2 4 100%
Vla 8 0 1 4 100%
Vln
1		 Treble 9 0 2 2 100%
Vln
2		 Treble 8 0 3 3 100%
VNE- Bass 9 0 2 4 100%
GOBRIAS Bass 13 0 4 4 92%
 
Passeggiata Barocca
Francesco Poliziano
0:30 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 6 9 100%
Bass 16 14 3 4 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 6 9 100%
Bass 16 14 3 4 93%
 
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco
edward.maurath
0:36 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
Bass 7 0 1 3 56%
Harpsichord Treble 12 7 5 1 56%
Bass 5 0 2 2 56%
Soprano as
Apollo		 5 0 1 4 56%
Soprano
as Erato		 6 0 1 3 56%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
HWV61A3N57 - To Power Immortal
edward.maurath
1:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
Strings Treble 23 70 8 6 100%
Violoncello Bass 14 0 2 5 100%
Violone Bass 12 0 2 5 100%
GOBRIAS Bass 14 0 4 6 93%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
Invention in A minor for any type of keyboard
Gemma Merin
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 7 4 100%
Bass 20 0 5 5 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 7 4 100%
Bass 20 0 5 5 94%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV61A2N45 - Oh Sentence too severe!
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
Organ
LH		 Bass 15 8 5 2 83%
Vcl Bass 7 0 1 2 83%
Violone Bass 7 0 1 2 83%
 
Frescobaldi: "Toccata avanti il Recercar" (1635, organ & orchestra)
SpaceGuru5
1:25 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 3 9 100%
Pipe
Organ		 Treble 18 0 5 10 96%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 3 9 100%
Pipe
Organ		 Treble 18 0 5 10 96%
Treble 18 0 5 10 96%
Bass 2 0 0 2 14%
Bass 15 0 5 9 85%
Bass 2 0 0 2 14%
Bass 15 0 5 9 85%
B♭
Clarinet		 Treble 18 0 5 9 96%
B♭
Trumpet		 Treble 18 0 5 9 96%
Violin Treble 18 0 5 9 96%
Contrabass Bass 12 0 5 8 93%
Euphonium Bass 12 0 5 8 93%
Trombone Bass 8 0 3 7 93%
Tuba Bass 12 0 5 8 93%
Viola 8 0 3 7 93%
Violoncello Bass 12 0 5 8 93%